A selection of Marina's published articles

These articles have been published in the Economist, Standpoint Magazine, Financial Times, MoneyWeek, the Times Literary Supplement, New York Observer and more

Times Literary Supplement: How to date a feminist

sarah-daykin-kate-and-tom-berish-steve-in-how-to-date-a-feminist

There were ten men in an audience of about a hundred at How To Date a Feminist, a new play by Samantha Ellis (the author of How To Be a Heroine) at the Arcola Theatre in Dalston. As a feminist, I was naturally curious to find out what it means to date me. But it quickly became clear that the feminist in question in Ellis’s play is a man. Steve is down on one knee and about to propose to his girlfriend Kate when he says: “Before you say anything, I want to apologize for the patriarchy . . . . Don’t laugh. I just think if we’re going to spend the rest of our lives together, we don’t want to have that hanging over us”. He goes on to mention female genital mutilation, domestic violence and unequal pay.

In a flashback to their first kiss, Steve asks “May I kiss you?”, and then, “May I kiss you with my tongue?” While Kate gets increasingly irritated, he explains that he’s looking for “explicit verbal consent”. We learn that Steve, a baker, grew up on Greenham Common and was raised by a fiercely feminist single mother. After the proposal, his mother asks him if he apologized for the patriarchy – a suggestion of hers. Kate, meanwhile, grew up with an “old-fashioned” Jewish Israeli father whose wife left him after reading Germaine Greer. He encourages Kate to “wear dresses and heels – to look more like a woman”.

Kate is the only female journalist on her news desk, and confesses to Steve that she likes lipstick, cupcakes and “bad guys” such as Heathcliff in Wuthering Heights. Steve declares that he wants to change her, and “save her from all of that”; and so the couple plan their wedding. (The only songs they can think of are inappropriate: “I still haven’t found what I’m looking for”, “Will you still love me tomorrow?” and “Love will tear us apart”.)

The acting is outstanding. Sarah Daykin (Kate) and Tom Berish (Steve) play all the roles, including Kate’s father, Steve’s mother, Kate’s promiscuous, macho ex-boyfriend and Steve’s former lover, who still shares an allotment with his mother. Scene changes are just a question of moving the furniture around, and costume changes take place on stage too.

At the wedding, Kate’s father and Steve’s mother hit it off despite their different world views; they kiss on the dance floor and leave the party together. Their children are in shock. “He just grabs what he wants!”, Steve says of Kate’s father. “She wanted it! And sometimes I wish you could grab what you want”, Kate retorts. “Make decisions, choose wine, open doors, drive a car, use a drill, eat steak, be a bit rapey when we go to bed.” She immediately retracts that last bit, but it’s too late: “You’re not the person I thought you were”, he says, abandoning her just an hour after their exchange of vows. Kate is comforted by her father, while Steve goes back to his boring ex-girlfriend.

Droning on about the patriarchy, it seems, does not a feminist make. Steve’s feminism turns out to be a narrow interpretation of his mother’s, and manifests itself mainly as mansplaining the concept to Kate. Below that veneer of self-righteousness, he doesn’t seem to stand for anything in particular; he doesn’t even treat the women in his life particularly well. Kate’s job and personality, meanwhile, say more about her than do her literary crushes – but the picture is nuanced: we wince slightly when she confesses that she has taken a whole day off work to get ready for a date.

The question of what it means to be a feminist – and in particular what it means to be a male feminist – looms large throughout the play. I have yet to encounter a type like Steve, who struck me as a caricature, but in presenting him to us Ellis underlines what we all ought to know: that feminism is – or should be – integral to a person’s moral compass, not some auxiliary feature of it.

How To Date a Feminist will be showing at Stephen Joseph Theatre, Scarborough, on October 21, and at Watford Palace Theatre on November 4.

Originally published in the Times Literary Supplement on 20 October 2016: http://www.the-tls.co.uk/articles/public/how-to-date-a-feminist/

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Information

This entry was posted on October 30, 2016 by in Uncategorized.

Enter your email address to follow this blog and receive notifications of new posts by email.

CLICK ON "OLDER POSTS" TO SEE MORE ARTICLES

In a crowded London shop
An open book and empty cup 

On the marble table-top.
While on the shop and street I gazed

My body of a sudden blazed;
And twenty minutes more or less It seemed, so great my happiness,

That I was blessed and could bless.

- Yeats

Always to shine,
to shine everywhere,
to the very deeps of the last days,
to shine—
and to hell with everything else!
That is my motto—
and the sun’s!

- Mayakovsky

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
or fiddling with pieces of string?
Has it views of its own about money?
Does it think patriotism enough?
Are its stories vulgar but funny?
O tell me the truth about love.

- WH Auden

%d bloggers like this: