“Austria comes alive on my divan,” said Berta Zuckerkandl, and this was an understatement. An influential journalist and art critic, Zuckerkandl welcomed everybody from Auguste Rodin and Gustav Klimt to Arthur Schnitzler at her home. There, she promoted their work, found them buyers and introduced them to the luminaries of the day. “Hail to the most marvellous and witty woman in Vienna,” Johann Strauss is … Continue reading Standpoint Magazine: Viennese rooms with a point of view

On a recent visit to the Royal Academy, I noticed a tall, elegantly dressed man who spent quite some time admiring a square object attached to the wall. I wondered whether to tell him that far from being Russian avant-garde art, which was the theme of the exhibition, it was in fact the temperature and humidity control box. Many visitors to Revolution: Russian Art 1917-1932 … Continue reading Standpoint Magazine: Ironies of Ideology

A new production of The Nose, Shostakovich’s opera based on Gogol’s mesmerisingly surreal short story, was part of this season at the Royal Opera House in Covent Garden. A Tarkovsky retrospective was held in Shoreditch. Any moment now, I expect to get invited to a poetry slam riffing on Mayakovsky. The Nose, one of Gogol’s Petersburg Tales, tells the story of Collegiate Assessor Kovalyov, who … Continue reading Standpoint Magazine: Golden Gogol

There were ten men in an audience of about a hundred at How To Date a Feminist, a new play by Samantha Ellis (the author of How To Be a Heroine) at the Arcola Theatre in Dalston. As a feminist, I was naturally curious to find out what it means to date me. But it quickly became clear that the feminist in question in Ellis’s play … Continue reading Times Literary Supplement: How to date a feminist

Hot Milk, the book for which Deborah Levy has been nominated for this year’s Man Booker Prize, explores hypochondria and the troubled relationship between a mother and daughter. It is characterised by a wicked sense of humour and sublime rhythm. Previously nominated for Swimming Home (2011), a novel on the insidious harm depression can have on apparently well-turned-out people, Levy is the only female British … Continue reading Jewish Chronicle: An interview with Deborah Levy

Tucked away between office buildings by Euston station is where I found the Camden People’s Theatre. It’s a little place with colourful bunting, a cheerful selection of chairs and flowery plastic tablecloths. It’s the kind of theatre where you can buy a packet of crisps in the interval, rather than wasabi peas. I went to see a talk and two plays that were part of Whose … Continue reading Times Literary Supplement: Whose London is it anyway?

What makes a genius? Since at least the 19th century, some have said it is down to genetics, while others have argued that upbringing is decisive. More recently, the idea that genius rests on sheer hard work — the “10,000 hours” thesis popularised by the writer Malcolm Gladwell — has gained currency. The latest contribution to the debate comes from the journalist and travel writer … Continue reading Financial Times: How to create a golden age

When short stories were still widely published in magazines, they had the capacity to react to unfolding events, writes Philip Hensher, the novelist and critic who edited these two volumes. Now the principal outlets for short story writers are no longer periodicals — apart from Standpoint and a few others — but competitions. “The dullest short stories I read from the last fifteen years were … Continue reading Standpoint Magazine: The Story Of The Short Story

Guy de Maupassant is considered the greatest short story writer in French literature. He is often said to have defined the modern short story and influenced the likes of Chekhov, Maugham, Babel and O. Henry. In France, his work is studied at secondary schools and universities, as it is in England. But it is probably true to say that in the English-speaking world generally he … Continue reading Standpoint Magazine: Found In Translation

The first time I came across the Israeli short-story writer Etgar Keret was through a comment he made about Franz Kafka. When Kafka died in 1924, he left his diaries, manuscripts and letters with his friend Max Brod, and ordered him to burn them unread. Instead, Brod released The Trial, The Castle and Amerika, turning Kafka into one of the greatest writers of the 20th century. But many manuscripts … Continue reading Standpoint Magazine: Israel’s Impish Ice-Breaker

He may be America’s greatest living comedian, but if you relied on British television you might never have heard of Jackie Mason. In this country, he must be the most underrated stand-up in the business. You have to see him live — and the opportunities are getting rarer. Three years ago Jackie Mason came to London on a farewell tour. This summer he returned to … Continue reading Standpoint Magazine: Underrated – Jackie Mason

Notes on a Voice: Marina Gerner pins down the work of a Nobel prize-winning novelist who revealed the inside through the outside “All I had to do was be there with buckets to catch it,” Saul Bellow said of his breakthrough novel “The Adventures of Augie March” (1953). Augie is a dreamy idealist with a drifting mind. The son of Russian-Jewish immigrants, he grew up … Continue reading The Economist’s Intelligent Life Magazine: Saul Bellow’s Introspection